Action (Blue Note Tone Poet Series)
Action (Blue Note Tone Poet Series) is backordered and will ship as soon as it is back in stock.
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Shipping & Pick-Up
Shipping & Pick-Up
SHIPPING POLICY
We offer FREE shipping on orders of $100 or more. All media orders (vinyl/CD/cassette) will ship via USPS media mail. Please be aware that we cannot provide free multiple shipments for a single order, so if your order includes pre-order items, the entire order will be held until all items are in stock and ready to be shipped.Your tracking information usually updates within 24-72 hours. Once your order departs from our facility, we no longer have control over it. For assistance with missing packages, kindly reach out to your local post office branch. Please note that we are not responsible for stolen packages and are not able to refund you for your purchase if your package was stolen after delivery. Shipping times may vary.
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If you are local, we offer FREE in-store pickup on online orders. Please note, however, that using Apple Pay at checkout will auto-fill a shipping charge and will not allow you the option to choose free in-store pickup. In other words, if you wish to choose free in-store pickup at checkout, you must checkout without using an accelerated payment method like Apple Pay.
Action (Blue Note Tone Poet Series)
Alto saxophonist Jackie McLean's 1960s output ran the gamut from hard bop to the avant-garde with his 1964 post-bop dates It's Time! And Action splitting the difference. Trumpeter Charles Tolliver had appeared alongside McLean in the horn frontline on It's Time! And returned once again for Action the next month, with McLean opting for Bobby Hutcherson's vibraphone in place of piano, as well as Cecil McBee on bass, and Billy Higgins on drums. The albums leaps out of the gate with McLean's searing title track followed by two pensive Tolliver originals: "Plight" and "Wrong Handle." On a highly original version of the standard "I Hear a Rhapsody" the melody is answered by discordant interjections from the horns before the album comes to a close with McLean's grooving minor key piece "Hootnan."
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